Showing posts with label blog sponsors. Show all posts
Showing posts with label blog sponsors. Show all posts

July 8, 2015

The last outfit photos we took before Tony left, starring my gorgeous new Classic Dames halter dress from Blue Velvet Vintage




Outfit details

19450s sterling silver and rhinestone necklace + screw back earrings set: Gift from a dear friend ♥
Dark grey thin knit shrug: Fairweather
1950s dark teal gloves: Unknown, had for years (probably thrifted)
1950s Style Navy Blue Halter Dress with Silver Brocade Trim: c/o Blue Velvet Vintage
Champagne coloured bow clutch: Bentley Leather
Sparkly champagne heels: The Bay
Lip colour: MAC Party Line


Photography by Tony Cangiano




















































The eve of my beloved husband leaving to work in the US for nearly three months is not something that I'd usually put on my finest threads and celebrate. However, with Tony's departure so eminent and a desire to showcase this breathtaking 1950s halter dress from Blue Velvet Vintage's Classic Dames line before he left a powerful driving force, I couldn't help but get decked out for the camera one last time before he left.

Indeed, in the midst of a wildly busy and exhausting week (which I can so see the effects of on my face here!), less than 36 hours before Tony headed off on his work trip to sunny California, as the last of the early evening sunlight was rapidly fading, I quickly got dressed and we hightailed it down to the historic ruins of the 1912 Hotel in the neighbouring community of Kaleden (which you may recall from this previous 2013 shoot that took place there as well).

There aren't a lot of spots - let alone outdoor ones - around these parts that (to put it mildly!) seem to accommodate particularly fancy vintage attire well, but to my mind, even with their graffiti tags, the crumbling remains of what was one a thriving Edwardian hotel, always strike me as being appropriate in that regard. It’s as if, were one to close their eyes and imagine, they could picture the elegantly attired ladies of the 1910s, 20s and 30s walking through its floors and halls, looking as though they'd just stepped out of a fashion magazine, when such elements of this structure still existed.

My love for the wonderfully popular online vintage + repro shop Blue Velvet Vintage, a longtime sponsor of this blog, knows no limits. Their offerings, be they genuine vintage or 21st century lines and products that channel an old school spirit are always beautiful, honestly described, well photographed, and seriously appealing.

Blue Velvet Vintage very kindly sent me the beguilingly gorgeous 1950s Style Navy Blue Sateen Halter Swing Dress with Silver Brocade Trim that I'm wearing here in these photos (thank you so much for it!), and it is now the second garment that I own from their marvelous in house vintage reproduction line, Classic Dames.

Aside from its captivating beauty - which exists in generous spades - this dress is a gem in a lot of other ways. It's very well constructed and fits, in my opinion, true to size (I'm wearing the size small here and it couldn't possibly fit me better, especially through the bust and torso, which is not common with me and halter styles, as I find that they're usually too big in that area).

The material is thick, but not restrictively so. The brocade is breathtaking, it features a sweetheart neckline (my favourite type of neckline ever!), the halter neck does up not in the usual tie neck fashion, but with two good sized metal hook and eyes, which means that there's no pesky halter tie knot pressing into your neck, and the hem line couldn't be more perfect in terms of its length on me (this is always a seriously big point with me and clothing, so when I find a dress that gets that mid calf length right, I'm one very happy vintage fashionista!).

As well, this dress is deeply comfortable. I could easily picture myself wearing it for many hours, no problem. Its fabric has a wee bit of stretch, which both ups the comfy-ness factor and helps to create an especially flattering fit. This dress retails for $155.00 USD and I would honestly have no problem splurging and paying that for the quality, design, and elegance that this great 1950s style halter delivers.

Ooooh, and let's not forget about the fabulous matching brocade belt, which is totally detachable. I debated actually wearing it as a skinny hair scarf and am sure I will in the future on some occasions when I sport this dress, but for this first wearing, I opted to keep it around my waist. It is generous in length and strikingly pretty, adding just the right amount of twinkle and glamour to your midsection.

A dress this dazzling doesn't need a lot of bells and whistles, and indeed, I was keen to keep it in the spotlight. Pulling on the gorgeous hues in the brocade, I opted for a champagne coloured clutch and sparkly heels, both of which feature bows and created a nice sense of cohesiveness between them. For jewelry I turned to this tremendously lovely 1950s sterling silver and rhinestone necklace + screw back earrings set, which was an awesome gift a while back from one of my dearest vintage loving friends in the whole wide world.

I played around with a lot of glove colours, but none of them seemed right until I slipped on this understatedly sophisticated dark teal pair. Its shade, though similar to that of the dress itself, is lighter and the subtle contrast strikes me as being especially evening wear appropriate. A dark grey thin knit shrug, which has appeared here numerous times over the years (and that, again, drew inspiration from the brocade) was the final touch to this party worthy ensemble.

As immensely busy as we were that weekend, I'm really glad that we got in this shoot before Tony left. Though (as mentioned here), we did manage to create a reserve of outfit photos to help see me though the summer until his return in September, I will greatly miss our usual photo shoots, especially given that we're in the best season of the year for them. I like that I'll always have the memory - and photos - of this last one before he departed to help capture a slice of our life - and this enchantingly beautiful halter dress from Blue Velvet Vintage - before he headed off.

Summer is already whizzing past and I'm sure that, to borrow a great vintage term, in two shakes of a lamb's tail, he'll be back and we'll be launching into as many autumn photo shoots as we can before another powerfully long, tremendously chilly Canada winter kicks in. Speaking of which though, I can't help but think, this dress would be amazing for Christmas or New Year's Eve. Right now though, it's going to be my summer go-to anytime I need, or simply want, to dress to the 1950s style nines!


*PS* I should clarify that while this was technically the last shoot that we did before Tony left, there were a handful of others that proceeded it which I haven't posted about yet. They will continual to appear here at regular intervals throughout the summer.

June 29, 2015

Ten fabulous assorted vintage treasures from Buy R Vintage Junk


Yard sales around these parts lately have left much to be desired a lot of the time. In fact, I haven't bought a single thing at any of the ones I've visited so far year and that's saying a great deal right there. Granted, I'm on the prowl for mid-century (and early) vintage and antiques first and foremost, but for the right price, I'll buy newer items, if I need them, too. Nothing has swayed me to dip into my pocket of jangling coins quite yet though and this is definitely the furthest into the season that this has happened before.

Chances are, I will find a few vintage goodies on the yard sale (and flea market) front before the season wraps up in early autumn, but for now, as it so often has been for me over the years, the web is my #1 source of vintage items - not that I'm complaining there, I'm certainly not. It's really, really handy to have such a vast marketplace at our fingertips 24/7!

Sometimes when the yard sales gods are forgetting to smile on me, I turn to my favourite Etsy shops that house a wide range of old school products at reasonable prices. I love shops like this - they're a bit like a mini flea market - or certainly a very well stocked yard sale - in one handy-dandy spot and can be a great place to unearth a treasure (or ten) that you didn't know you needed, but suddenly can't imagine leaving behind.

This month I had the great pleasure of welcoming the charmingly named Etsy shop Buy R Vintage Junk as a brand new blog sponsor and goodness, does their delightful array of offerings fall into the fabulously yard sale-esque camp in terms of the diversity that they stock.

Helmed by a lovely third generation treasure hunter named Denise, who is located in Indiana, Buy R Vintage Junk, is chalk-a-block with - to quote the shop's welcome message itself - "Primitive farm finds, burlap feed sacks, vintage lingerie, rusty & salvaged metal, creepy dolls, vintage jewelry, cottage decor, retro kitchen items, old tools and more". Tell me that doesn't sound enthralling!

As a way of introducing all of you to Buy R Vintage Junk, I thought it would be fun to shine the spotlight on ten of their current offerings that really caught my eye. These are the kinds of items that I would always gravitate towards, online or off, and which I hope you'll really enjoy as well.




This gorgeous Victorian silk and straw drawstring handbag is truly gorgeous and still in very decent shape for its age. I could see this looking stunning with all kinds of 20s, 30s, 40s and 50s outfits alike and can't help but think how sensational it would be for the annual Jazz Age Lawn Party in New York state.




There is something about old flour and feedbags that speaks to my inner farm girl (I've never lived on a farm, but I have an inner country lass all the same) so very much, and this great old early 20th century Purina Steers Chow bag is no exception. It would make for such a cool pillow or framed piece of wall art.




I will never fully get why galoshes, by and large, went the way of the dinosaur (save for amongst some of us vintage wearers). They're beyond practical and they look seriously cute, too. Though this pair, at a petit size 5.5, is much too small for my feet, these are just the sort of fit-over-a-pair-of-heels vintage rain galoshes that I would love to add to my wardrobe one day.




If you ask me, most bed linens these days are far too lackluster or run of the mill. I miss the days when each piece was imbued with handmade charm, and love that we can still get that either from creating our own pieces or turning to vintage offerings, such as these splendidly pretty mid-century vintage embroidered pillow cases, both of which feature peach and green butterflies and flowers. So darling!




This vintage kitty cat coin bank is too cute for words!!! Who wouldn't want to stash their pennies away in something this smile inducingly fun? I know that I certainly would!




Perfect for use as a display piece in your vintage kitchen or dining room, this charming mid-century PY-O-MY vintage metal pie pan is sure to be a bit hit with all the vintage and pie fans in your life alike!




Look closely at this immensely lovely circa 1950s cream straw hat, for there on the band, what do you see but a row of matching coloured buttons. How fabulously fun, creative, and cute is that?




Whether you start an instant collection, or bolster your existing one with them, your winter decor will be enhanced by this selection of five elegant, timelessly pretty sparkly vintage rose shaped Christmas ornaments.




Perhaps its my family ties to gold mining, maybe it's because I adore camping, or it could just be because they're so timelessly beautiful looking, but I have always felt drawn to classic vintage metal lanterns like this age worn charmer that was used by the Chicago Bureau of Sanitation.




Long before the widespread vintage crafting scene as we know it today came into being, various books and magazines were produced that celebrated and shared old school patterns with those who were already looking to the pas for creative inspiration, including this wonderful edition of Olde Time Needlework Patterns and Designs magazine from 1973. I can just imagine that awesome designs it must house!



(All images via Buy R Vintage Junk. Please click on the photo of an item of the link in the text below it to find out more it, including that piece's price.) 


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Which of these delightful vintage finds appeals to you most of us? I'm especially smitten with the Victorian hat, kitty cat coin bank, and beautiful straw hat myself.

Buy R Vintage Junk is a relatively newcomer to Etsy, having opened their online doors in August 2014. Their inventory continues to expand and you just never know what yesteryear gem you might discover amongst their digital shelves. If you haven't done so already, be sure to heart/favourite them on Etsy so that you can stay abreast of all the great new (old!) items that Denise continues to stock in her shop.

Though I'm not calling this year's yard sale season a total wash yet, whether things pick up on that front or not, as I've done for nearly twelve years now, I will turn to the web and shops like Buy R Vintage Junk not only during the spring and summer, but all season long.

It's so important that we support small business owners online and as I'm one myself on Etsy as well, I can't help but have an especially soft spot in my heart for my fellow sellers and their awesome vintage wears there.


And on that note, Buy R Vintage Junk has very kindly created an exclusive coupon code just for CV's readers. Between today and July 31, 2015, you can save 20% off on everything in their shop when you use the coupon code VGT20 at the checkout. Sweet!!!

November 10, 2014

Fabulous interview and book giveaway with WW2 novel author Elinor Florence


You've heard me say it before, and no doubt you'll hear it again as time goes on, but British Columbia doesn't have a very big vintage community (especially when it comes to those who wear and/or blog about mid-century fashion or history), which makes it all the more fantastic when I have the pleasure and privilege with connecting with another vintage history sole right here in my home province. A few months ago, via email, I did just that with first time author Elinor Florence (pictured below) and we've been in frequent contact ever since.






Elinor's first book, A Bird's Eye View, was recently published by Dundurn and tells the moving, skillfully written fictional story of a prairie born young lady whose hometown is transformed into a military air training base during WW2.


Like 50,000 Canadian women who enlisted in some form of military service to help do their very hard working part on the war effort front, the the story's heroine, Rose Jolliffee decides to sign up for active duty and is soon whisked overseas where she works as aerial photographer taking photos of enemy bomb targets on the European continent. It's not all work Rose however, as she finds time to fall in love, though no shortage of hardship befalls her romantic endeavors and one feels for her plight every step of the way.

This highly enjoyable 384 page book is the just the sort that no history or historical fiction fan will want to put town. It is a story brimming with historical references and an air of days long gone, yet still so very fresh in the eyes of time.






Naturally, I was eager to sit down (via email) with Elinor - who has been very hard at work lately on a coast-to-coast Canadian blog tour, which concludes with a stop in the nearby Okanagan city of Kelowna on November 29th (see Elinor's website for further tour date and location details) - to learn more about her history as a writer, what went into creating her first novel, her own passion for vintage, and so much more! (Be sure to check out the rest of the post below the interview, too, where you can enter for your chance to win a signed copy of Elinor's debut novel.)



CV: Thank you very much for taking the time to chat with us here today, Elinor. You've had a lifelong love of writing, which shone through in many forms, notably including your earlier career as a journalist, magazine writer, and newspaper publisher. On your website you explain how your desire to pen a novel started to come through in more recent years, when your family was living in Mexico. Do you feel that the seeds for novel writing were there earlier on, or was there a turning point?


EF: My desire to write was born when I began to read the Lucy Maud Montgomery novels. Most people are familiar with Anne of Green Gables, but it was the three-part Emily series – Emily of New Moon, Emily Climbs, and Emily’s Quest – in which she describes her burning desire to write that really ignited my passion.


The three books follow Emily through her climb up the symbolic “Alpine Path,” a phrase from a poem that inspired her to become a successful author. I recognized that same desire within myself, although it took the form of writing non-fiction for many years before I finally, with some trepidation, turned to fiction.



CV: I truly adore that you opted to make the heroine of your WW2 novel a fellow Canadian (like you and me). Was doing so something that was extremely important to you?


EF: Yes! I can't tell you how many people suggested that I place my heroine south of the border, to make it more appealing to the larger American audience and more specifically, television and movies. But that would have defeated the purpose. I felt that the American story and the British story have a much greater chance of being told, because of the larger populations in those countries, but that the Canadian story – our nation’s contribution to the war, and specifically, the women’s contribution – have been overlooked.


So I definitely wanted to write about a Canadian woman in uniform. And not only did my heroine watch the war unfold on the continent through her work, but she kept in touch with home front through frequent letters from her mother and her best friend, so I was able to describe what women were doing back in Canada as well.


Canada really emerged as a nation during this war. We went into the war still thinking of ourselves as a British colony, and we came out with a new identity, having earned the respect of the rest of the world. In some ways, Rose herself is a metaphor for her country – she went into the war as an unsophisticated farm girl, and came out a mature, capable woman.



CV: Do you see yourself in your main character or is she a bit more like an alter ego for you?


EF: They say all first novels are autobiographical to some extent. I do have some things in common with Rose, but at the same time I tried to make her a woman of her time. It’s all very well to have these incredibly strong, fearless heroines in historical novels, and I enjoy reading about them, but it’s not very realistic. Let’s not forget that women back in the 1940s were kept in their place much of the time, and they achieved their goals by working very hard to earn men’s respect. My heroine doesn't challenge authority, because that was something she just wouldn't have done back then – not only because she was a woman, but because she was in uniform. If I were writing about Rose today, her actions might have been very different.



CV: What would you say was the hardest/most challenging, and conversely, the most enjoyable part of writing your debut novel?


EF: The hardest part was learning to "make stuff up" after a lifetime of reporting the facts, ma'am, just the facts. I was afraid my novel would look like one long newspaper story by the time I was finished! I had to learn how to construct fictional characters and situations. And by far, the most difficult thing to manufacture was dialogue between the characters. I really slaved over that. I read a lot of books written at the time, and watched a lot of movies, trying to pick up figures of speech used in the 1940s.


The most enjoyable aspect was creating a dream world and feeling it come to life. I have always wanted to live back then, or at least make an extended visit! So this was a way for me to experience the drama and the excitement of wartime, as well as the sorrow. It was a very powerful period of history, when emotions were running high. I actually shed a few tears on my keyboard while I was writing, because I was identifying so strongly with my characters.




{A photo of Elinor's writing space at her home, where she wrote her gripping, marvelous first novel: A Bird's Eye View.} 


CV: What message in your book do you feel will speak to, or resonate with, a 21st-century audience?


EF: I hope that my book takes the dusty old history that we learned about in school and makes it come to life. We came very close to losing the war -- a fact that seems to have been forgotten. It took the strength of common will of every man, woman and child in the Western world to defeat the most horrible evil the world has ever known. And it took six long years of the most incredible struggle and sacrifice to make this happen.


The other message that I hope will resonate with young people is that it was the youth who bore the brunt of the fighting. Last year I interviewed a guy who had flown a Lancaster bomber. He was 20 years old at the time, and he was the oldest guy in the plane! When we look around at today’s teenagers, we can’t imagine what that was like for them and for their families.



CV: On top of writing a book, you also have an excellent and highly engaging blog called Wartime Wednesdays where you write primarily about stories of ordinary Canadians during wartime. How do you feel blog writing compares to, and differs from, journalistic writing? (If you haven't started following Elinor's blog yet, be sure to do so on the double, it really is fantastic!)


EF: Thank you, Jessica! The blog is much like reporting, because it involves doing research and interviewing people. I really missed that aspect of my life after I left newspaper journalism in 2010. And I had so much material from veterans that I accumulated during my research that I wanted to tell their stories.


Military history tends to be written by men who are interested in battles, in types of aircraft and weapons. I sort of glossed over that in my book because what really fascinates me about the war is people. How did they think, what did they feel, what was their daily life like?


Canada went on rations during the war – what did people eat? Girls left home and joined the air force – what did they wear? What was it like for the prairie boys when they travelled to England and saw the ocean for the first time? These are the answers that you don't find very often in history books – it is personal memories that really bring the past to life.


I'll give you an example: When my heroine Rose first arrives in England, she hears a child speaking with an English accent. And it sounds so odd to her, because she has never heard a child speak her own language in that strange way! I found that little nugget in a woman’s diary somewhere, and so I used it in the novel.


And that’s what I try to write about on my blog as well – personal stories that you can't find anywhere else.



CV: You did a great deal of research in the process of putting together your novel. What are some of the most surprising things that you learned in the process?


EF: One of the most powerful things that I understood after doing my research is how terribly homesick people were – Canadians especially, because they couldn’t go home on leaves the way the British guys did, or even the Germans. And because Canada was in the war two years longer than the Americans, our separations were longer, too.


It's almost incomprehensible now that husbands and wives, fathers and children, were separated for five or six years! How they must have longed for the sound of each other’s voices, the sight of each other’s faces! No wonder people sang sad songs like "We’ll Meet Again." And no wonder the mail was so important – without technology, it was the only thread that connected them.


And it wasn't just people that my heroine Rose was homesick for, it was the wind and the fields and the sky that she had known all her life, all the familiar things that we take for granted until we can’t have them. It was a physical yearning that lived in her soul the entire time she was away from her own country.



CV: You don't just write about vintage eras, you're also a passionate vintage fan and have added many old school items to your home's decor. Do you also wear vintage clothing and/or jewelry?


I think my environment reflects my love of vintage items more than my wardrobe does, although I have a few items of vintage clothing – a Hudson's baby blanket coat, some antique amethyst earrings, and an evening beaded bag that contains a tiny manicure set and a tiny sewing kit!


I love fabric items – I have a cedar chest filled with vintage tablecloths, and I rotate them on my kitchen table a weekly basis. And I’m a sucker for patchwork quilts – real patchwork ones, made from scraps of fabric that don’t match.


Vintage books, photographs, letters and scrapbooks are also like gold to me – and I’m so lucky that my 90-year-old mother is a hoarder and has preserved boxes full of them!


On my website, you can see [more] photographs of the log cabin that I restored and furnished in my back yard. It's my own little retreat from the modern world.







CV: You're already thinking about (starting to write?) your second novel. Way to go! Can you give us a teaser as to what it's going to be about?


EF: See the answer above! My new novel is about a young woman who inherits an old farmhouse and everything in it including furniture, dishes, books, and clothing -- on condition that she lives there for one year, without plumbing or electricity or any type of technology. In doing so, she develops an appreciation for the past. I have almost completed the first draft. The wheels of book publishing grind very slowly, so I can't tell you when it will see the light of day, but in the meantime I have immersed myself in another period of Canadian history, the very thrilling and challenging days of the pioneer!



CV: Thank you again very much for the engaging and very enjoyable, Elinor. I'm sincerely honoured that you included Chronically Vintage as part of your exciting Bird's Eye View novel release Blog Tour. You can check out all of the blogs that are taking part in this wonderful author's tour below (information provided by Elinor):


Wednesday, November 5: Wartime Wednesdays: Read an Excerpt From Bird’s Eye View on Elinor’s own Wartime Wednesdays blog itself.

Thursday, November 6: The Book Babe: Book Review, Author Interview and Giveaway. Tara Chevrestt is an American book and movie reviewer with a special interest in strong women, vintage fashion, and aviation. To read her interview with the author, and her review of Bird’s Eye View.

Friday, November 7: Rite While U Can: Author Interview and Giveaway. Barbara Brittain-Marshall is a human resources professional in Calgary, Alberta, and blogger on the lost art of letter-writing. Here the author talks about her grandfather’s post office and how it influenced her novel.

Saturday, November 8: The Vintage Inn: Author Interview and Giveaway. Liz Gruening is a professional marketer, swing dancer, member of the Toronto Vintage Society, and blogger. Here the author describes the air force uniforms worn by her heroine in the novel.

Sunday, November 9: Low Fell Writers Place: Author Interview and Giveaway. Suzy Henderson is a British historical fiction writer and amateur historian with a special interest in aviation, and blogger. Here Elinor discusses how her childhood experiences sparked her interest in Canadians in wartime.

Monday, November 10: Chronically Vintage. That would be this very interview & book giveaway post. :)

Tuesday, November 11: Author Interview and Giveaway. The Bird’s Eye View Blog Tour concludes on Remembrance Day with Danielle Metcalfe-Chenail, a freelance writer and researcher, author of two non-fiction books about Canadian aviation, Edmonton’s Historian Laureate, and blogger. Here Elinor explains the ins and outs of aerial photo interpretation.



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By now I'm sure you're champing at the bit to get your hands on a copy A Bird's Eye View and one lucky gal or gent can do just that thanks to the fact that Elinor Florence has very generously offered to give away a signed copy to a lucky Chronically Vintage reader.


If you'd like to try your hand at winning, please enter this giveaway by doing as many of the following five things as you'd like. In order to increase your odds of winning, be sure to leave a separate comment for each method that you enter the contest with.


1. Leave a comment on this post letting me know about your favourite way to enjoy a great read like Elinor's book (for example, in the bathtub, at the beach, at the end of a long work day, etc.)

2. Follow Elinor on Twitter and tweet about this giveaway, including a link back to this post.

3. Like Elinor's (author) page on Facebook and post a Facebook comment about this giveaway, including a link back to this post.

4. Become a fan of Elinor's page on Goodreads.

5. Subscribe to Elinor's blog, Wartime Wednesdays, by email (and can do so on the right hand sidebar of her blog) or follow it via Bloglovin' or your favourite feed reader.


This giveaway is open to readers worldwide and will run until 11:59pm PST on Monday November 17, 2014, with the winner being drawn via a random number generator the following day and announced on Facebook and/or Twitter, as well as contacted directly via email or Facebook private message (provided such contact information is available), shortly thereafter. If you have questions pertaining to this book giveaway, please don't hesitate to email me anytime.



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Once again, I truly want to thank Elinor Florence for sharing her time, expertise, and a copy of her book here on Chronically Vintage. I adore shining the well deserved spotlight on fellow British Columbians with a passion for the past - be it wearing, selling or, in Elinor's case, writing about vintage - and am so happy that I got a chance to do just that on the blog today.

Here's wishing you the utmost of success with A Bird's Eye View and all your subsequent books, Elinor!

September 10, 2014

Ten fabulously cool historical paper doll books from Dover Publications


There's something about the return of September, bringing with it, as it does, a new school year and in turn, even if it's been an age and a half since you last saddled up to a desk with a fresh pack of number two pencils in hand, memories of one's own youth. I always, without fail, feel a powerful sense of nostalgia in September. It's not so much that yearn to a child again (though that could be fun for a day or two!), but rather that I enjoy looking back with a deeply rooted fondness on many of the elements of my early youth that went hand-in-hand with those formative school years.

Part of me wants to pretend its the 1980s or 90s again. To eat Fruit Roll-Ups and Cool Ranch Doritos, drink a Capri Sun, watch a VHS (okay, who forgot to rewind it?!) on a chunky, boxy silver and black hued TV, open up a closet twinkling with neons and synthetic fabrics, tease my bangs, and bust out all those toys - and there was no shortage of them, I will always consider my youth to be one of the most prolific times the world has ever known on the toy industry new release front - that I enjoyed playing with when life was, at least to some extents, a simpler time.

Like many of the era, I had my fair share of modern playthings, but I also enjoyed simpler, classic toys as well, very much including paper dolls. I wouldn't say I had a massive collection, but I can very fondly recall three books in particular: one was a winter carnival ice princess themed collection that came my way very early in life, another featured The Quints (a toy line aimed at young girls which featured a family of quintuplet babies), and the third was - not surprisingly in the slightest for the era - Barbie themed.

Just as scores of little girls have for ages now, I also enjoyed making my own paper dolls. Drawing on and cutting rudimentary figures and their wardrobes out of lined, white, wrapping or construction paper. The homemade ones never seemed to last quite as long as the store bought versions, but both were every bit as much fun and in an age fuelled by modernity, talking teddy bears, plastic action figures as far as the eye could see, dolls that claimed to be born in a cabbage patch, and the birth, for all intents, of the video game generation, there was something downright peaceful and thoroughly pleasant about paper dolls.
 
Their use (assuming one cut up or punched them out of their respective books) called on a child's imagination and creativity. They weren't as "3D" as Barbie, Gem, My Little Pony, or any of the other scores of dress up/hair brushing (toy companies were borderline obsessed with having little girls brush their toy's hair in the 80s and early 90s) that plastered the marketplace and pages of the Sears Wish Book catalogs each winter, but they could provide every bit as much fun and I don't remember a friend or female classmate who didn't jump at the chance to play paper dolls (and for that matter, plenty of little boys enjoyed them as well, even if they wouldn't admit as much in front of their peers, with whom they'd no doubt be talking about He Man, Teenage Mutant Ninja Turtles, Garbage Pail Kids, Transformers, or GI Joe).

Paper dolls certainly weren't invented in the days of my youth however, not by a long shot. Their history dates back at least to 18th century France (with earlier versions, though not always indented as children's playthings, appearing centuries before then still), with the first commercial versions, according to this terrific article on the history of paper dolls, appearing in 1810 in London, England. Dolls featuring celebrities, from dancers to royal family members, actresses to historical figures soon followed in the decades to come and the popularity of paper dolls would continue to skyrocket for the next few generations (reaching its zenith in the 1930s through to the 1960s).

It has never died out entirely though, thankfully, and many people - men and women alike - adore collecting (and in some cases, still playing with) - paper dolls. How could they not? There is nothing, even with all the toys that have followed in the last two to three centuries, quite like paper dolls out there, and I doubt there ever will be. It's possible that one day youngsters will 3D print their own toys, and paper dolls will fall into the realm of merely being quaint, charming collectibles still treasured by a handful of classic toy fans. For now though, thankfully, one can still readily buy and enjoy all manner of beautiful paper dolls, whether they're a serious collector, a nostalgic fan like me, or shopping for the youngsters or fashion loving folks in their lives.

Unquestionably one of the most appealing and important aspects of paper dolls has been their ability to so perfectly capture the fashions, hairstyles and other important historical elements of the era (or, sometimes, an earlier one) that they date from. In more recent decades in particular, there has been a surge in modern paper dolls that are historically themed and today, in honour of that fact and that such books are such to appeal to scores of my vintage (and historical costume) loving readers, I wanted to shine the spotlight on ten seriously delightful paper doll sets from Dover Publications, one of Chronically Vintage's newest blog sponsors this year.

Long (decades!) before I had the great pleasure of partnering with Dover in such a capacity, I'd been a huge fan of their paper dolls (and other kinds of publications, very much including their wide range of excellent, informative books devoted to historical fashions and costumes, many of which I've enjoyed studying with gusto and intensity over the years). However it is paper dolls upon which I'd like to shine the spotlight at the moment with a selection of different books (amongst the dozens that this company produces) that would have appealed every bit as much to my six year old self as they do to me, a vintage and history loving 30 year old lady, now today.

 photo TenfabulouslycoolhistoricalpaperdollbooksfromDoverPublicationsblogpostheader_zpscdcbc6f1.png






1. With styles spanning evening attire to walking suits, Victorian Fashion Paper Dolls from Harper's Bazaar, 1867-1898, is chocked full of timelessly beautiful mid to late Victorian ensembles that first appeared in one of the world's foremost ladies fashion magazines and which capture the sartorial spirit of the era sublimely.




2. One of the most tony, moneyed, and stylish corners of America for generations now, Newport, Rhode Island was a fashionistas dream getaway destination in the early days of the 1900s, a point which the sweepingly lovely Newport Fashions of the Gilded Age Paper Dolls book page homage to with a look at outfits worn by such elite clans as the Vanderbilts, Astors, and Belmonts.




3. You'll want to drape yourself in silk, pearls and cloche hats rafter you flip through Art the book Deco Fashions Paper Dolls, which points the glittering limelight on some of the most beguiling, innovative and appealing lovely art deco clothing styles of the roaring twenties.




4. Always wanted to own an original haute couture vintage garment from France but couldn't afford it? (You're not alone!) Fear not, you can call 32 such innovative, breathtakingly beautiful looks your own in paper form via French Fashion Designers Paper Dolls: 1900-1950, which includes styles by such illustrious fashion designers as Worth, Diro, Lelong, Patou, Lanvin, Poriret, Chanel and many others.




5. Let your inner vintage screen siren shine via the book Glamorous Stars of the Forties Paper Dolls. It's teaming with fabulously lovely classic Hollywood stars like Hedy Lammar, Rita Hayworth, Veronica Lake, and Gene Tierney sporting endlessly stylish fashions by the likes of such prestigious designers as Vera West, Jean Louise, Adrian, and Oleg Cassini, who dressed and influenced Tinsel Town in countless ways during the mid-twentieth century.




6. Continuing in the same vein, Award-Winning Fashions of Edith Head Paper Dolls puts the work of this incredibly talented, tastemaker of a famously bespectacled Hollywood costume designer at the forefront with twenty-nine of her most enchanting, stylish looks ever.




7. And for a more French take on designer fashions, we turn to a book bursting with looks by none other than one of the biggest powerhouses of her time in this field, Gabrielle "Coco" Channel in Chanel Fashion Review Paper Dolls, which sure to having you pining even more for one of her sophisticated, understatedly gorgeous creations.




8. Designer of my all-time favourite style movement of the late 1940s/early 1950s, the New Look, Dior's work graces the pages of Classic Fashions of Christian Dior: Re-created in Paper Dolls, which is pretty much my dream vintage couture wardrobe sandwiched between the covers of one fabulous book of paper dolls.




9. In Great Fashion Designs of the Fifties Paper Dolls: 30 Haute Couture Costumes by Dior, Balenciaga and Others, we're treated to some of the most prestigious, enchantingly beautiful designer fashions of the era, as dreamed up by some of the leading lights in the industry during the exciting post-war years of the fabulous fifties.




10. And for a more everyday, yet equally marvelous set of mid-century fashions, be sure to check out American Family of the 1950s Paper Dolls, which highlights some of the most iconic looks that ladies and gents of all ages sported throughout that decade.


{All images via Dover Publications. Please click on an image of the link in the text below

it to be taken to its respective page where it can be purchased, if desired, directly from Dover.}


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Much as I would love to sometimes, I can't turn back the hands of time. The 1980s and 90s, and all the decades the proceeded them, are long gone, but thankfully some of the best and most endearing toys and collectibles from them are still with us, very much including paper dolls. It’s heartwarmingly fantastic to know that there are still some really terrific companies out there, such as Dover, who still produce new paper doll books, including many like the selection of ten highlighted in today's post that are sure to find extra special favour with vintage fans the world over.

Which of these paper doll books from Dover call your name? Do you collect paper dolls yourself? Remember playing them with great fondness, too? What would be your dream set of paper dolls?

Universally beloved, paper dolls are sweet, fun and charming. Modern versions such as this don't break the bank in the slightest, offer countless hours of playtime fun for the young and young at heart alike, and can be educational all in the same go.

Little me would have gone utterly weak in the knees for any of Dover's fantastic historical paper doll sets and, you know, grown up me would (and does) still as well - only now, instead of cutting them out and inviting my friends over to play, I'd spend my time admiring and daydreaming about owning many of the fantastic outfits featured in them.

May 30, 2014

Sponsor Chronically Vintage in June - Etsy shops still completely welcome

Did the end of this month sneak up on anyone else, too? In just a couple of days time we'll officially hit the halfway mark of 2014. Bonkers, I know! :) With a fresh month upon us again, it's high time I invited one and all to become a new or returning Chronically Vintage blog sponsor.

Having recently opened an Etsy shop of my own this month, I understand that some of you who may have Etsy or similar shops of your own are wondering if I'll still be accepting fellow Etsy shops as blog sponsors here on Chronically Vintage and the answer to that question is a resounding yes!



{Rest assured, there's amply room for all my fellow Etsy vintage and craft sellers here on Chronically Vintage this summer and always. Image source.}


One of the most endearingly terrific elements about Etsy is so many of the pieces there, whether vintage or handmade, are nearly - if not flat out - one of a kind. While we're ultimately vying for the same customers, there's no reason to see one another as competition in any kind of negative sense. My shop doesn't have the exact stock the same things as yours, or the next person's or the next's and so on. We each bring a curated collection of fabulous yesteryear finds and/or handmade items to the table and I will always use my blog as a platform to help others reach a broad audience of 50,000+ viewers a month for their Etsy shop or other business or website that is a fabulous fit for this site.

Promoting Etsy sellers in my posts and in a sponsorship capacity is something that I've thrilled to do since Chronically Vintage began in 2009, as I truly adore Etsy and love shining the spotlight on a wide array of (now) fellow sellers there. I'm dedicated to this and welcome one and all with an Etsy shop that would be a good fit for my blog, as well as all other interested folks to check out my sponsorship page for further details on how you can see your ad on my site and/or drop me a line anytime.

Many thanks for your interest  in becoming a sponsor - I can't wait to collaborate with you this summer!

April 14, 2014

Help get a Maddy James, a brand new vintage inspired loungewear company, off the ground


One of the most unique and rewarding elements of opening up your blog to a wide array of vintage related sponsors is that you never know just what kind of exciting, wonderful company is going to contact you next.

Recently I received a Facebook private massage that lead to a terrific back and forth with an ambitious, talented, thoroughly lovely lady named Gina who is in the midst of getting her brand new vintage inspired loungewear line, Maddy James, off the ground. In order to help facilitate and speed up this process, at the beginning of April she launched a Kickstarter Champaign to help her raise $15,000 US to go towards the many costs involved with the production of her timelessly beautiful clothing.




While there is plenty of vintage inspired and reproduction clothing on the market already, when you stop and think about it, there are very few brands that intentionally specialize in comfortable, old school style loungewear that is well made, easy to launder, created from beautiful materials, made in the USA, and intended to be worn time and time again, not just on special occasions or in the bedroom, as more racy lingerie often is.

When Gina told me about Maddy James, the first words that flashed around my mind like twinkling neon lights were, honest to goodness, "That's a brilliant idea!", followed by "There is a major need for this is the vintage fashion world!".

While you may see me sporting my vintage, repro and vintage appropriate threads on camera, when the lens is capped and I'm back home, more often than not, because of my health (and, let's face it, a love of comfort, too, that many of us share), unless we have people over or other big plans that day, a good chunk of the time, I'll be sporting pajamas, a nightgown, or loungewear. Some of these items are vintage, others are modern, but few come even close to being as a stunning as Maddy James’ offerings.

One certainly doesn't need to be chronically ill though by any stretch of the imagination to appreciate and frequently turn to loungewear though of course. It has been a part of fashion history for many decades now, rising in popularity in particular from the Victorian era onward, with the years of the mid-twentieth century arguably being the most glamorous and beguiling stretch for this important sector of one's wardrobe.

Who amongst us hasn't gone pajama or loungewear shopping, online or off, over the years and failed to find anything that truly captured our vintage loving hearts and the general aesthetic of our wardrobe? Yes, there are genuine vintage options to be had, but they're not always tough as nails, able to be thrown in the washing machine, and available in your size (or price range) anytime you want. All of these points, and many more, are ones that Maddy James's classic, elegant and sweepingly pretty offerings will provide customers with once the brand is fully operational.

In order to make that happen, Maddy James needs your support. Any donation of $1.00 or greater can be pledged on Kickstarter towards this end of raising $15,000, with pledges of $5.00 or more each receiving various thank you gifts, depending on how much is donated. With all pledges of $55.00 or more receiving an actual Maddy James garment. It’s important to keep in mind that on Kickstarter, campaigns only receive the total amount pledged toward them if they meet or exceed the goal they’ve set. If such fails to happen, Maddy James won’t receive a single cent of Kickstarter derived backing, which would be a genuine shame, as it such a deserving startup.

Sometimes there is truly no one better suited to tell you about the creations, dreams and business plans than the entrepreneur behind a company itself, so with that in mind, I recently interviewed Gina to learn more about Maddy James and why this vintage inspired loungewear line is so marvelously cool and worthy of our financial assistance.


I was over-the-moon excited when you told me about the fact that you were launching a line of vintage inspired loungewear, Gina, and still am, as I feel like you're catering to an often completely (or very nearly so) ignored segment of the repro/vintage inspired fashion world. Could you please share with me some of the things that led you to want to create and launch Maddy James?

I came up with this idea to produce vintage loungewear about three years ago when I was looking for a vintage nightgown to wear to a 1930’s weekend on Catalina Island organized by the Los Angeles Art Deco Society. I found many delicious pieces on-line, but I had a hard time finding things in my size, and what little there was in my size was so fragile I was afraid to actually wear it. I started doing an exhaustive search for reproductions, and what very little I found there was made from real silk charmeuse cut on the bias; gorgeous but over $400 dollars. Ouch!







Was there one big "ah-ha!" incident or encounter that made you feel like this was something you knew you were going to do for real (aka, not merely thinking about doing it)?

In addition to needing something for this event, I was pretty tired of sleeping in sweatpants and t-shirts, but I really couldn't find anything that wasn't either "sloppy" or super sexy. I realized that there was definitely a hole in the market. I started bouncing the idea around to friends and family and got a lot of positive response. I wasn't the only one that wanted something a little more glamorous to sleep in.


Why do you think that many vintage reproduction companies have not yet addressed the realm of loungewear, especially considering how many of - even those who wear vintage fashions all the time - slip into it once we're in the comforts of our own home at the end of the day (and on the weekends, etc)?

I really don't know. I have had many of my girlfriends (even the ones who are not necessarily into vintage) all complain about nothing that makes them feel pretty but not necessarily sexy or trashy. And, who has watched TCM and not lusted over all of those beautiful nightgowns and bed jackets?


Can you tell us about the types of products Maddy James is planning to carry?

The first collection is really fixated on the 1930's and 1940's, but we plan on expanding into all of the decades from the 1920's to the 1970's. For fall we are hoping to come out with 14 pieces that include a furry bed jacket and some swanky 1920's pajamas.


Will you be expanding on that selection as time goes on or do you plan to stick with the same general styles?

We have tons of great ideas for the future. I've been collecting patterns and vintage sleepwear for over a decade, not to mention countless sketches from pieces I've seen in the movies. That is the beauty of what our grandmother's wore; so much variety.


Aside from the (wonderful!) fact that you're line is devoted to vintage style loungewear, are there any points that you feel really help set Maddy James apart from fellow vintage repro/inspired clothing brands?

Yes, there are a couple of things. The first being that all of the fabrics I am working with are very practical (something past generations didn't have). So although everything mimics the look and feel of vintage garments it is all very practical and machine washable. I want to create things that although pretty, are practical enough to wear every night.

I'm also proud of the fact that I am producing these garments locally, with factories here in Chicago (my home town).




What made you opt to go the exciting Kickstarter route as a means of helping get your business off the ground?

I thought it was a great way to not only help with the funding to get the first collection produced, but also a great way to promote and do a little market research as to which styles would be popular.


How are you finding the Kickstarter experience so far?

It's really nerve wracking, and my guy and I are checking the computer every 5 minutes to see if there are any new donors. But it is also a lot of fun, kind of like a contest. Can we raise enough money in 30 days? I feel like I'm on a game show!


Your pieces are dripping with timeless elegance yet also look intensely comfortable. Was it hard to find the right combination of form and function, comfort and style (not, of course, that the two have to be mutually exclusive by any means) when putting together these styles?

No, not really. That is one of the things that I have always loved about vintage (which I have been wearing so long, that I think I am actually now considered vintage). And, with vintage loungewear it really has both. The ladies of the past really knew how to go to bed.


What were some of your inspirations during the design process?

My extensive pattern collection and the tons of hours I spend watching old movies and tv. Not to mention the tons and tons of old books and magazines I have. It was really fun to pore through everything and take ideas from all the luscious things I found.


Did you have custom fabrics printed for some or all of your current products?

Not at the moment. Sourcing fabric has been one of the biggest obstacles. I am looking at companies that will do fabric designs, so that is something I really would like to try in the future. I've got antique garments that have such lovely patterns, I'd love to be able to reproduce some of those.


Though your designs clearly channel the past, which is awesome, they also strike me as being wonderfully wearable for ladies who are more into modern clothing, especially those who appreciate classic tailoring and beautiful fabrics. Was this an intentional move on Maddy James' part?

Yes, this was an intentional move. Although I know there is a large and hungry vintage loving crowd out there, I really thought that this idea had an audience that was more than just those lovely ladies. Everyone I talk to about this has always commented about how they had a hard time finding things that were sultry but not trampy.




Speaking of Maddy James, can you tell us more about how the company's name came to be?

It's actually my name. Well, sort of. Maddy is my maiden name, and James is my dad's name. My dad was one of my first and biggest supporters. He was the one that gave me the confidence to take this on. And he's been a big help through the whole process.


And what about your spunky, adorable tomato girl mascot?

The mascot represents my grandmother, and was drawn by my daughter Kate, who is in art school. My grandmother was always a great lover of fashion, and always had the prettiest nightgowns. My grandfather use to always tell me that she was the "best looking tomato in town". She died around the time I was thinking about doing this, and left me a small inheritance, which was my seed money. I think of her every time I look at it.





Right now your size range spans from XS to XL (with the latter being a modern US size 14-16), do you have plans to create larger sizes than that for the plus size vintage loving market (who were sizes larger than XL, I mean)?


We do. One of the lovely ladies I met in fashion school, April Pruitt-Summers, has been working on a collection especially for the more voluptuous of us. We plan on introducing some of her pieces in the fall.


Do you foresee Maddy James as carrying strictly women's pieces or would you perhaps like to branch out and expand into men's and/or children's vintage inspired loungewear, too?

We do hope to add a few men's items during different times of the year. I have sketches for a men's smoking jacket that we hope to release for Christmas. Children’s sleepwear is a different ball game, as everything has to be made from special flame retardant fabrics, so at the moment we are not really exploring that.


I know it's always very tough for a designer to pick as much, but do you have one or two particular favourites from amongst your first collection of pieces?

I love the Katharine jumpsuit. It is my favorite. It is based on a piece I have in my collection from the 1930's. I actually designed it for one of my classes, so not only is it sexy and comfy, but one of the first things I created.


Which Maddy James offering would you say is most practical for a young mom with kids under foot?

The Margo is made from a knit fabric. So it is not only pretty, but practical. Plus it has a matching bed jacket. The Aubry pajamas are also another piece that is pretty practical for everyday.




How about for the most alluring romantic for the vintage loving gal who is looking to turn her partner's head when she enters the room?

That would have to be the Chantal. It is based on some old patterns I have, and I actually had a particular bride in mind when I was working on it.


Are Maddy James garments machine washable? Can any of them be dried in the dryer?

They are machine washable, and although I have put a lot of the fabric through the dryer to see how it would hold up and it all did well. I would recommend hang drying in order for it to keep its beauty longer.


What has been your favourite part of this whole wonderful concept to design to reality experience so far?

Really all of it. I've actually taken my hobby (historical sewing) and turned it into a real labor of love and hopefully a profitable business as well.


Where do you see Maddy James in five years time?

I haven't really thought about it. I've been just focusing on getting it finished and out there. But certainly I hope in five years I've convinced all women, vintage loving or not, that yoga pants are not something a girl should dream in.


And last, but certainly not least, why should people contribute to your fantastic Kickstarter campaign and help get Maddy James on the vintage inspired fashion market even sooner?

I would hope they would donate because they love the pieces. But also I would hope they would donate because they think it's important to encourage new woman-owned businesses.


Connect with Maddy James on...

-Facebook

-Kickstarter

-Pinterest

-Twitter







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I look at Maddy James' deeply lovely offerings and I'm struck by the fact that I see pieces in their inaugural collection that not only suit my own fashion tastes, but which I can picture scores of my vintage loving friends wearing, as well as which I know plenty of the non-vintage sporting ladies in my life, from my sister to my mother, and even both of my grandmothers, would happily slip into when they want to relax and feel comfortable at home in as well. These items are not only redolent of the past, they're an important part of the present which you can help make possible by donating to the Maddy James Kickstarter campaign.

It's not every day that a new vintage inspired clothing line comes along, let one devoted solely to gorgeous loungewear, and it's world less common still that we, the very vintage community who wears and adores yesteryear styles with all our heart and soul, get a chance to help one not only get off the ground but soar and potentially enrich many of our wardrobes with its awesome offerings in the process.

Let's pitch in, my dears, with any amount that you'd like to contribute, and collectively as a vintage community, help come Maddy James come to be right before our very eyes.