Showing posts with label 1940s fashion. Show all posts
Showing posts with label 1940s fashion. Show all posts

August 26, 2016

Eight things that have really been inspiring my style so far this year


Back at the very start of 2015, I kicked off the new year by penning a post in which I shared twelve of the things (one for each of the upcoming twelve months of the year) that were inspiring my style at the moment. I've thought back to, and drawn inspiration from, that post many times in the roughly 1 2/3rds of a year that have passed since then and am constantly delighted by the fact that each of those twelve fashion elements continues to shape and drive my personal style to this day.

Naturally, they're not the only ones that are doing as much as we start to head into the final weeks of summer, I thought it would be a lot of fun to share a brief overview of eight different things (again, one for each month that we've experienced so far this year) that have been speaking loudly and clearly to me from a sartorial standpoint so far throughout 2016.


1. Stripes




For much of my adult life, especially if we're talking the horizontal version, I largely avoid strips and didn't think that they worked all that well for me, but in the last year or two, I've been noticing a real pull towards them all of a sudden. In particular, I'm finding myself smitten with narrow vertical stripes and/or pieces that combine both vertical and horizontal lines in the same garment. I'm also discovering that stripes can work for me, especially if they're fairly thin and in flattering colours.

Earlier this year I picked up a great 1950s striped dress that I simply had to have the moment I saw it, as its colour palette instantly caused a fun fall time outfit to spring to mind and I can't wait to share such with you here in the near future. So, in short, strips and me are on good terms these days and I'm genuinely happy about that fact.





2. Vintage cartwheel/platter hats





It's scarcely a state secret that I utterly and completely love vintage hats of all types, but did you know that in recent years, I've been gravitating more and more towards especially wide brimmed cartwheel and platter styles? I find that they tend to work wonderfully well for my face type and that they suit the sorts of fashions I'm leaning all the more towards as I progress through my 30s.

Were it not for the super steep shipping prices to send such generously proportioned styles (and really, most things in general) to Canada these days, I'm sure I'd own many more than I presently do. Fortunately I do have a lovely little collection of such and as you may have noticed from some of my recent outfit posts this year, they're getting a lot of use these days.



3. Muted colours





I've already chatted about my current (huge!) passion for "all the vintage muted colours" here in at least a couple of posts this year (such as this one), so I won't do my impression of a broken record. In short, I'm currently madly in love with vintage 1940s, 50s and early 60s garments in earthy tones, be they solids or (especially) patterns, and don't foresee this interest waning anytime soon.




4. Colonial area fashions, decor and crafts




For as long as I can recall, I've felt a strong pull towards the general styles, art, and decor of America and Canada's earliest days, and in particular, am refereeing styles up until the end of the 18th century when I speak of colonial era influences.

Though such can be a bit tricky to interpret overly literally in the context of mid-century fashion, subtle touches (beyond just pilgrim collars, like those on the 1950s frocks pictured above, and shoe buckles), can be had, such as classic fabrics that call to mind those used in the 17th and 18th centuries in North America, traditional looking hand stitched details, certain styles of shawls, and various others.

In this instance, it's less about dressing as though I was from that time period (as fun and exciting as such would be!) and more about letting the general aesthetic of such weave itself throughout various areas of my life and wardrobe alike.



5. Elizabeth Taylor's look during the mid-1950s to early 1960s




From her immensely chic short hairstyles to her elegantly gorgeous attire and her perfectly on point make-up, just about everything that Liz sported during this period is right up my styling alley and has influenced me for many years now, continuing to so all the more in this decade of my life



6. Leaf themed jewelry, accessories and prints




A natural - pun intended - extension, one might say, of my current interest in muted hues and patterns featuring such, I've really, really been digging leaf and fern themed/printed fashions, especially - perhaps not surprisingly to anyone who knows me well - those of a autumnal nature. I certainly won't be retiring my beloved florals anytime soon, but they've been joined by more leaf themed pieces this year and I'm pleased as punch about that fact.



7.Claire McCardell's work




Mid-century American fashion Claire McCardell's work has long resonated with me (especially her way with wrap dresses and draping). Innovative and stylish, McCardell championed a (by the standards of the day) leisurely look and was especially keen on sport and swimwear, as well as a distinct American style that was both refined and playful at the same time.

Though tragically, her life was cut short due to cancer when she was in her 50s, Claire McCardell was able to leave a very lasting impression of the mid-century fashion scene and is a name that deserves to be known and appreciated by fashion fans everywhere (plus she was an engaging author, whose book, What Shall I Wear?, is one of my favourite written about contemporary style during the fifties)



8. Celestial stars




I can't remember a time when I wasn't drawn to star imagery and fashions pertaining to such (and of course absolutely adore the real twinkling deal, too), but in recent years I've been going all the more wild for such and would love to add another celestial print garment or two (I have a lovely vintage star print dress already) to my closet in the near future. Who knows, perhaps their landing there is already - *cough, cough* - written in the stars! :)



{To learn more about a specific image used in today's post, please click on it to be taken to its respective source.}


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Now granted, for some people, such is strongly the case, but I think it's very important to make the distinction that what we wear doesn't always equate to what is actually inspiring us - at least not in glaringly obvious ways. It's totally possible to draw inspiration from something, but not to channel it literally in your wardrobe (or home decor, for that matter).

With some of the eight entries above, it's easy for me to weave them into certain ensembles, but for others - such as my passion for colonial era styles - such is not always overly feasible, but that doesn't mean that these things don't hold sway over us and/or that they aren't manifested in subtle, no less important, ways.

Sometimes simply reading about and/or looking at images that speak to us can drive our style and that is one of the most exciting things about inspiration itself. We're free to interpret and run with it however our heart desires (at least within the scope of our means).

I wouldn't say that my style has undergone any radical changes in recent months, though I do notice various subtle things evolving on that front as I get older (including certain points that I raised in this post), and also in part thanks to the various elements that are inspiring me at any given moment.

For example, while I still love (and own a delightful little collection of such) hair flowers, I haven't felt pulled towards wearing them very often lately (florals crowns though, big time!), nor have I been rocking many square shaped necklines, as I've come to realize that such (much like collar-less styles and v-necks) are not always overly becoming on me.

Little things, but ones that I take notice of, just as I do those style elements step in to take their place in terms of what I may opt to wear more often.

I've said it before, but I will happily say it again. Our closets should continue to evolve as we do. It's easy to grow stagnant in what we wear, but continually seeking and recognizing inspiration, as it strikes, can be a powerful tool in combating such.

As we delight in this final month of summer and head into my all-time favourite season, fall, I look forward to seeing how the eight things shared here today continue to influence what I wear, how I'll interpret them in the outfits I share here, and what other fun/beautiful/unique elements will shape my style in the second chapter of 2016 and beyond.

Naturally, I'm sure many of them will enjoy at last a moment or two in the spotlight here. After all, if a vintage fashion blogger can't readily share what's inspiring them on their own site, who can! :)

July 27, 2016

Beautiful deco style earrings meet a thoroughly forties inspired outfit at my very favourite grey wall




Outfit details

1940s black hat with millinery daisies: A Vintage Affair
Art deco inspired handmade black dangle earrings: c/co Mon Carrousel
Mid-century vintage yellow flower embroidered blouse: Foxy Brit Vintage
1940s style black jumper dress: Tatyana Clothing
Gold coloured faux leather skinny belt: eBay
C. 1940s cream gloves with mini button detailing: Unknown, had for many years 
Gold tone metal bangle bracelet: Payless
C. 1930s cream celluloid flower bangle bracelet: Unknown, had for many years
Vintage style black plastic flower stretch bracelet: Thrifted (Value Village)
1940s black and cream telephone cord handbag: Armstrong Antiques
Black seamed nude stockings: eBay
1940s style black faux suede round toe pumps: Walmart
Lip colour: MAC Partyline


Special offer just for Chronically Vintage readers: Etsy shop Mon Carrousel has very generously offered my readers 15% off all of their merchandise between today and August 31, 2016, when you use the discount coupon code MCSave15 at checkout.


Photography by Tony Cangiano






















































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In the moment at least (I'm the first to admit, I have cringed years later looking back on certain outfits - but, hey, that's all just part and parcel to one's continually developing personal style), I tend to really like, if not flat out love, everything that I wear. My closet is, objectively, one of my greatest sources of joy in this world and I delight in the act of putting outfits together and curating my wardrobe.

Sometimes however, one hits upon a look that they're so in love with, they know that it bound to be a favourite for the rest of time, and for me, the ensemble highlighted here in today's very recently captured photographs is just that.

While, objectively, it is not an overly complex or formal ensemble, the sum of its parts equal a whole that I'm genuinely pleased with - and that I know I will reach for many times to come in the future.

The starting point for this particular look is an elegantly gorgeous pair of art deco inspired handmade earrings from the Spanish brand Mon Carrousel.

Called simply Romantic Black Earrings, this pair – that are, like some of Mon Carrousel's other offerings, made from nickel-free components, thus letting nickel allergy suffers like myself safely don them – combines genuine vintage Czechoslovakia mourning jet with vintage black vulcanite and marries the two with brass components and lovely little clear rhinestones.

Though big on style, these sophisticated earrings (which I want to sincerely thank Mon Carrousel for bestowing on me) weigh next to nothing and are, really and truly, one of the most comfortable pairs of earrings in my whole collection. They're immensely stylish, wonderfully classic and such a pleasure to wear.

Mon Carrousel's designs are hand made in Spain by a lovely lady named Diana, who looks heavily to the past when she creates to compose beautiful, often dainty jewelry that is equally wearable by vintage and modern fashion fans alike.

She's a relatively newcomer to Etsy, where she set up shop last year, and has a standalone online jewelry shop for longer that, however it is only presented Spanish, so instead when she approached me to team up for a collaborative post, we both felt that it made more sense to focus on her Etsy shop, given that most of my audience speaks English.

Diana's pieces are classy, fun, and eye-catching. She is especially inspired by the look of the early 20th century (including how it is portrayed on the Spanish TV show Seis Hermanas), and it wouldn't be a stretch in the slightest to think, at first glance, that you were looking at an actual antique or vintage piece of jewelry when you browse Mon Carrousel's curated collection.

Well priced and expertly made, I'd happily shop from Mon Carrousel and highly suggest checking out and favouring their Etsy shop, where, as mentioned above in this post, you can currently save 15% off on all orders between now and the end of August when you use the exclusive coupon code MCSave15.

I don't have a lot of 20s or 30s garb or newer styles that look the part, so instead of trying to scrap together an outfit of that nature, I opted instead to take my look in a strongly forties direction.

To do so, I reached for my super beloved black 1940s style jumper dress from Tatyana (purchased back when they were still called Betty Paige Clothing), which, despite having owned and worn many times, has only appeared here once before and that was just in a single photo (in this 2013 travel post), not as a key player in a dedicated outfit post.

I teamed it with a dusty yellow hued vintage blouse that features beautiful floral embroidery, a fun 1940s hat with millinery daisies on the underside of the brim, my treasured 1940s telephone cord handbag, an assortment of bracelets (including a 1930s cream celluloid one, in a further nod to the deco-ness of the earrings), a pair of vintage cream gloves, and my black forties style faux suede pumps that have appeared here more times over the years than I can recall.

As has been the case so very often over the past nearly 3.5 months now, these snaps were taken quite literally between rain showers (early on Saturday evening while there was still some daylight). They were snapped at a location which, if you've been following my blog for a while now, you may recall having seen before. It's a relatively basic painted grey wall in the nearby city of Kelowna, which I've loved from the moment I first laid eyes on it.

There's scarcely an outfit around you can't partner with its neutral tone and I'm sure that if we lived in Kelowna, it would probably appear here several times throughout any given year. As it is, this is now the wall's third CV showing and chances are, far from its last.

It occurs to me, as I pen these words, that it's really fitting that one of my favourite backdrops would team up with a new favourite outfit.

Love that - just as I do these marvelous art deco inspired earrings from Mon Carrousel, which even though my wardrobe is primarily 1940s – 1950s focused, transcend eras enough that I know they’ll be sported often and with much handmade jewelry adoring happiness.

June 29, 2016

It isn't every day that I wear cherries...




Outfit details

C. 1930s black plastic ball tipped hatpin: Unknown, had for many years
1930s/1940s wide brimmed green straw hat: Jardin Antiques
Glittery gold tone metal round shaped earrings: Claire's
Red cropped cardigan: Fairweather
Cherry print vintage style Hilda Dress (no longer in stock): c/o Voodoo Vixen
Green faux leather skinny belt: eBay
Green plastic bangle bracelet: Forever 21
Assorted vintage bangle bracelets: Most likely all thrifted from various sources
C. 1950s pink ruched gloves: Unknown, had for years
C. 1950s wicker, velvet and millinery cherry handbag: Lu Lou's Frou-Frou
Nude seamed nude stockings: eBay
Red patent faux leather pumps: Payless
Lip colour: MAC Russian Red

Special Offer: Voodoo Vixen has very kindly extended a 20% off coupon code on all of their online merchandise to my readers. Use the coupon code Vintage20 at checkout between now and July 31st to save 20% on anything your heart desires from their wonderful website.


Photography by Tony Cangiano
 





















































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But when I do, you better believe that I bring my crimson fruit filled A-game to the table! :D

I've never been the sort who follows trends or is drawn to overly common things - indeed, such is no small part of the reason why I opt to sport vintage fashion - and I will just about always cheer for the underdog. Thus, while I do very much adore cherries, given their immense commonality in the vintage/rockabilly/pinup girl/retro style world, I would say that I've somewhat sidestepped them, both consciously and subconsciously over the years.

That isn't to say that I haven't rocked cherries here before, because I have (e.g., in this fun 2013 outfit) - and I am very partial to cherry themed jewelry - but I don't reach for them everyday by any means. When I do, I like typically try to select pieces that have that little something to special to them, that helps to ensure they don't blend into a sea of basic red and black fruit prints.

This gorgeous and immensely feminine looking mid-century vintage style Hilda Dress from Voodoo Vixen nails that to an absolute tee for me.

Not only does its pattern go beyond the usual cherry print, but it includes the colour pink and the most adorable little jars of cherry jam on it (seriously, I can't even!).

I have very fond memories of picking and helping my mom to can, cook and bake with cherries when I was growing up (as detailed in this post from five years ago), so the moment I laid eyes on this beautiful dress, I knew that it had passed my cherry litmus test, so to speak.

I've had the pleasure of working with Voodoo Vixen here twice over the years (both times in 2014) and was really delighted when they recently contacted me about teaming up again this summer. They kindly sent me this enchanting Hilda dress, which - perhaps not surprisingly given how pretty it is - has already sold out, for review and I sincerely want to thank them for it.

On one of the very few sunny weekend days that we've had in the past couple of months, after a full and exciting day of vintage shopping, errand running, and MEC visiting (for Tony) in Kelowna, we returned home to Penticton and took a small trek on foot up part of the very first mile or so of the famous local KVR (Kettle Valley Railroad) Trail.

To my mind, the KVR Trail and the views that it offers are some of the most stunning sights to be seen and experienced around these parts, and I felt like they would suit my first vintage outfit post of the summer really nicely (likewise for this Voodoo Vixen dress itself).

It was early evening by the time we got there, but luckily the sun was still out and did a delightful job of bathing us in its golden warmth as the day wound down.

This dress, like the other two garments that I've received in the past from Voodoo Vixen, is well made from a medium weight fabric with a hint of stretch to it.

I should note that this dress came with a matching belt, however, even on the smallest hole, it was a good couple of inches too big for me and as it is a fabric belt, not a leather/faux leather one, I didn't want to damage it by piercing a tighter hole. Instead I'll wear it with garments like my denim capri pants that hit me lower down on my torso and thus not on the narrowest part of my waist.

Voodoo Vixen frocks aren't always super long, so before selecting this product, I spoke with my VV contact who confirmed that it would hit below my knees (for a sense of scale, I'm just barely 5'2" tall), which is a personal must for me with all dresses and skirts.

I wouldn't mind a few more inches of hem length here, but am equally okay with where it falls now and do very much appreciate a shorter hem length (by vintage standards at least) during the roasty-toasty summer months.

Having a fairly petite bone structure, garments are often too big for me in the shoulders. This dress has cap sleeves and is a little too big there, which while not tight, does make lifting my arms a bit tricky, as the cap sleeves become micro sleeves on my upper arms and restrict them a touch.

This is by no means a big issue at all (and I could always have them removed by a seamstress, if so desired) and I had no problem whatsoever comfortably wearing (and climbing a gentle hiking path in!) this dress for about ten hours straight on the day that these snaps were taken, so really, this is not an issue and I only mention it for the benefit of others who may be small shouldered as well.

This lovely vintage style frock is fun, sweet and just a blast to wear. I love the subtle keyhole detailing at the neckline, the functional pockets, the becoming a-line skirt, and of course the endlessly enjoyable red, white, pink and green cherry print that it is bedecked in from top to bottom. I'd recommend this dress to anyone and do so hope they bring it back into stock for those who may wish to add a "Hilda" to their own old school wardrobes, too.

A dress this vibrant and fully patterned doesn't need a ton of further embellishing, but naturally a few accessories were in order, including a wonderful c. 1950s wicker, velvet and millinery cherry purse that I've had for a few years now.

It's one of my favourite bags I've ever owned, however it is in rather delicate condition however, so I only bring it out once or twice a year, as a general rule. I couldn't think of a better dress to partner it with than this charming Voodoo Vixen one, so out it came to play in the warm June sunlight.

Vintage pink gloves, a quintet of bangle bracelets, one of my beloved 1950s Austrian glass fruit brooches, my equally adored green 1930s/40s wide brimmed straw hat, simple gold tone circle shaped earrings, and red pumps complete the look, which really does seem like such a fitting sartorial note to launch the summer - especially since local cherries are in season again right now.

It's true, I might not wear cherries all the time, but I love when I hit upon a piece that really stands out from the crowd for me and which I know I'll happily reach for many times over the years.

This whimsically sweet cherry print dress from Voodoo Vixen is just that and I look forward to spending many a happy summer in its company - this one very much included!




June 15, 2016

Vintage earth tones, a cute fox brooch, and a fab swing skirt sported on my parent’s driveway




Outfit details

C. 1930s/1940s black felt and cream faux pearl hat: Unknown, had for many years
Black stud earrings: Claire's
1950s (or early 60s) muted green floral print blouse: Used House of Vintage
Cute vintage black plastic fox brooch: Broesj
C. 1980s brown woven belt: Thrifted (Value Village, if memory serves me right)
1940s/1950s style black circle “Paula” skirt: Hell Bunny (purchased via Blame Betty)
Black plastic rose stretch bracelet: Thrifted (Value Village)
Faux pearl stretch bracelet: Real Canadian Superstore
Brown faux leather handbag with white top stitching: eBay
Black seamed nude stockings: eBay
Brown 1940s style round toe pumps: Walmart
Lip colour: MAC Party Line
Nail colour: Sally Hansen Golden-I


Photography by Tony Cangiano
 














































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Before we delve into the heart of today's post, I must say for the record, that this outfit had gloves - elegant olive green gloves, to be exact - but after a very long day of driving (these snaps were taken right after we got back to Penticton on the day we returned home from our recent trip to the Kootenays), I completely forgot to put them on before the camera made an appearance. C'est la vie!

This outfit is very, very characteristic of the type that I tend to wear when reaching for separates while on a holiday, road trip, or other jaunt away from home - as well, naturally, as while I'm on local turf, too. It's comprised of a fabulous 1940s/1950s style “Paula Skirt” from Hell Bunny that I picked up in early 2015, I believe it was, from Blame Betty, one of Canada's few online vintage/pinup girl/rockabilly clothing sellers.

From the first wearing onward, it became one of my favourite skirts I've ever owned and I absolutely live in it now any time I want a fuller black skirt (as opposed, to more of a pencil or a-line style). It's comfortable, swishy and can be partnered with a crinoline of the correct length, if so desired, but I tend to let it hang au naturel, which generally helps to lend it even more of a forties vibe.

My love of muted vintage colours, which I've touched on in a couple of posts here recently, is only growing stronger with each passing day. Thus, I packed a wardrobe largely comprised of such for our fun long weekend getaway in April and opted to sport this charming dark earth toned blouse for the day that we headed back to Penticton from Nelson.

It's one of three vintage blouses that I bought (along with some other items, including an amazing mid-century vintage red winter coat, that I haven't debuted here yet, but plan to next fall or winter) from Used House of Vintage in Vancouver, while we were in that gorgeous city at the end of last autumn.

Though my collection of such might not win any awards for the biggest size ever, I actually have an incredibly huge love for vintage blouses and have been diligently working to expand the selection in my wardrobe in recent years. Adding three to it in one fell swoop a few months ago definitely helped big time and I'm sure that the other two - one of which is an original c. 1950s Levi Straus paisley print blouse - will appear here on the blog as time goes on, too.

When vintage blouses pair with muted hues, as they do here, well, let's just say it's all I can to to keep my legs from turning to complete and total Jell-O!

I was in a major mood for all things wilderness related, too, while we were bopping around the gorgeous evergreen bedecked Kootenays, so I decided to pair this darling mid-century blouse with a very cute little vintage black fox brooch that I picked up a few months ago from Dutch Etsy seller Broesj.

It's such a fun, sweet piece of costume jewelry and I just love that its combination of black plastic and clear rhinestones will make it a snap to sport the whole year through (much, really, like this 3/4 sleeve vintage blouse itself).

These snaps were taken, as mentioned above, right after we got back to Penticton on one of the sunnier days that we've had this (rainy/windy/often usually nippy) spring. We wanted to share the highlights of our travels with my folks while they were still bracingly fresh in our minds, so we quite literally drove straight to their house after returning to our town.

Over the years, you've seen outfit shoots taken in my parents backyard and on their deck (also on the back of the house), but I don't believe we've done one in their driveway before and in the interest of keeping the background scenery here fresh on a frequent basis, it seemed like a lovely spot to grab some snaps.

And you know, even though I forgot to slip on my olive hued gloves, I still love the the over all look of this outfit - perhaps even, given the sunny weather that day, all the more so - without them.

It's hard to believe that nearly two months have passed since these photos were taken. It's fitting that they were nabbed in mid-spring, as this will be last outfit post of the season before we jump head first into an exciting bevy of summertime outfits starting next week.

I've greatly enjoyed the fun assortment of looks that I was able to share with you guys here this spring and am genuinely excited to launch into another summer's worth of diverse vintage, reproduction, and vintage appropriate looks - including (hopefully!) what I'll be sporting for Canada Day, my birthday, Tony's birthday, the August long weekend, Labour Day, and plenty of other fun events and delightful everyday outfits alike.

Here's to the last lovely week of spring 2016 and everything - fashion related and otherwise - that summer promises to hold in store for each of us, my dear friends!